Our method & sources

Where our ideas come from

How our books are built, and where the ideas behind them come from.

The research is about the approaches we use. Lovetopus itself hasn’t been studied.

What it looks like in our books

Three scenes: fear, anger and sadness.

Fear

Finley’s fear gets a name — and a silly face.

Alone in the dark, Finley hides. Hugo doesn’t argue with the monster. He says, “Fear isn’t bad – sometimes it’s just very loud inside us.” Then the two of them draw it, and it gets sillier with every line. Later, with his friends close by, Finley decides for himself: “I want to see inside the cave.”

The ideas behind it: naming feelings, and facing fears one small step at a time. Where this comes from →

Anger

Spike feels the hot coming.

In Spike’s mini-story, somebody zooms off before “swim!” and the race isn’t fair. His cheeks get hot and his claws go click-clack. Spike knows those signs. He stops, the hot gets smaller, and the race starts again — fair this time.

The idea behind it: our adaptation of the Turtle Technique. The Turtle Technique is a calm-down routine used in research-tested preschool programs. Where this comes from →

Sadness

Luna’s sad feeling gets shared.

Luna’s friends swim home, and the hollow goes quiet. She shapes a glowing heart from sand: “This is how I feel.” A tear slides down, and she lets it. Tomorrow, she decides, she will show the heart to Hugo.

The idea behind it: noticing and naming a feeling, and sharing it with someone you trust. Where this comes from →

Our principles

  • All feelings are okay. Not every action is. In every story, once a feeling has a name, the friends ask: “What could we do?”
  • A friend goes first. The character has the feeling, so nobody has to talk about their own.
  • Situation + face first, word later. For young children, the story around a feeling — what caused it, what happened next — is often a clearer clue than a face.
  • One small step at a time. In our stories, courage grows in small steps, and waiting counts too.
  • Close at first, then more room. Friends stay close while a feeling is big, and give more room as the friend feels ready.

Every approach, and where it comes from

The approaches behind our books, grouped by friend. Open a group to see what kind of research stands behind each one — and what that research did not test.

For every story · 4
Finley · fear · 5
Spike · anger · 2
Luna · sadness · 3
The map behind EmOcean

EmOcean is organized around one well-known map of emotions, drawn by psychologist Robert Plutchik. Scientists still debate how many basic emotions there are and how children learn them; we use his map because it gives children eight friends to meet, shows that feelings come in milder and stronger forms, and that they blend.

Two of Plutchik’s eight — trust and anticipation — we treat as themes rather than feeling-words. Plutchik calls it trust; child development calls it feeling safe with the people who care for you.

What we don’t claim

We don’t claim that our books are clinically proven, that they treat anything, or that they build emotional intelligence as a measured result.

Not therapy. Lovetopus books are for everyday big feelings and don’t replace professional care. If you’re worried about your child, talk to your pediatrician.

How we choose sources

We use peer-reviewed research and guidance from professional bodies such as the American Academy of Pediatrics. We check that each source exists and hasn’t been retracted. When a study was done with adults or older children, we say so.